Movies: Will Smith & Tom Holland In Animated Buddy Comedy “Spies In Disguise” Trailer Reveal

20th Century Fox’s recent trailer reveal of “Spies in Disguise” sees the world’s greatest super agent transform into super fly from super spy.  Starring the voices of Will Smith (Men in Black) and Tom Holland (Spider-Man: Homecoming), the duo plays exact opposites in the high-octane world of global espionage.  Smith voices Lance Sterling, an awesome, cool, charming and super-skilled spy while Holland lends voice to Walter, a scientific genius who invents the gadgets Lance uses on his missions.

Soon enough, Walter and Lance suddenly have to rely on each other in a whole new way when evil took an unexpected turn. And they can’t learn to work as a team, the whole world is in peril.

An action-packed family entertainment offering from 20th Century Fox, , Chernin Entertainment and Blue Sky Studios,  “Spies in Disguise” opens in 2019 in cinemas nationwide.  Watch Trailer in 20th Century Fox PH (Facebook) and 20thCenturyFoxPh Youtube

Movies: Twentieth Century Fox, Chernin Entertainment & Blue Sky Studios Announce Will Smith And Tom Holland As Starring Voices In Action Comedy “SPIES IN DISGUISE”.

TOM HOLLAND voices Walter in SPIES IN DISGUISE

Will Smith is the supremely smooth and confident Lance Sterling, secret agent extraordinaire. Tom Holland is Walter – the somewhat less debonair scientist and inventor who provides Lance with an array of amazing gadgets.

Fox Animation, Chernin Entertainment and Blue Sky Studios announced today the voice casting of Will Smith and Tom Holland as the lead characters Lance Sterling and Walter in the animated feature SPIES IN DISGUISE, an action comedy that will be released by Twentieth Century Fox in 2019.

SPIES IN DISGUISE is a buddy comedy set in the high octane globe-trotting world of international espionage. Will Smith (Men in Black) voices Lance Sterling, the world’s most awesome spy. Cool, charming and super-skilled, saving the world is his occupation. And nobody does it better.

Movie News: WILL SMITH, A MAN LOST IN GRIEF IN “COLLATERAL BEAUTY”

Fresh from his success as Deadshot in the blockbuster hit Suicide Squad, Will Smith now stars as Howard, a man lost in grief, in New Line Cinema’s life-affirming drama, Collateral Beauty.

In the film, Howard, a successful New York advertising executive retreats from life after suffering a great tragedy. While his concerned friends try desperately to reconnect with him, he seeks answers from the universe by writing letters to Love, Time and Death. But it’s not until his notes bring unexpected personal responses that he begins to understand how these constants interlock in a life fully lived, and how even the deepest loss can reveal moments of meaning and beauty.

The filmmakers sought an actor who could take on Howard's complexities while remaining relatable and appealing. He had to suggest the promise of warmth and humor, and a great heart, even when those qualities aren’t immediately apparent. As producer Michael Sugar puts it, “Will Smith is a star with unparalleled charisma. The role of Howard had to be played by someone audiences can embrace, and we felt that Will was a perfect fit.”

“He never lost sight of all the nuances, and made sure to highlight the levity within these dramatic scenes,” director David Frankel remarks. “It was a surprise to me how much natural comedy Will found in this character who’s in such pain, and I think that’s part of his natural buoyancy.”

“Howard was a guy who had life figured out, he understood everything there was to know about it,” says Smith. “He considered himself a teacher and a marketing guru. Great guy. He was loving, gave advice, was helpful to all his friends. He knew how to win. But when he lost his daughter, his comprehension of how things work in this world was completely uprooted and overturned.

“Grieving has been a study for him,” Smith continues, referencing the approach his character initially takes by scouring books on philosophy and healing that now litter his apartment. “He’s trying to come to some understanding, some sense of meaning and a reason to go on. He gets it intellectually that death is a part of life and things are impermanent, that you have to accept and let go, but the actual process of putting that into practice is going to require something more.”

Howard’s life, such as it is, has come to revolve around a limited set of activities he repeats daily before falling into bed, where sleep eludes him. He checks in at the office, but instead of working he spends hours stacking dominoes. Days, he sits in the dog park, and nights, he races his bicycle heedlessly through the city streets. Sometimes he stops in the darkness just outside a window through which we see people in a circle of folding chairs, talking and comforting each other over some unknown sorrow. But he never goes in.

“When death happens out of sequence, a child passing before a parent, it’s like the cycle of life gets broken and we’re not genetically programmed for that,” Frankel suggests. “Is Howard mad? I believe grief can take a brilliant, bright person to a place where they never imagined, to some deep, dark low levels they never dreamed they’d be.”

People have different reactions to loss, different ways of coping and different timetables, as the story suggests. There is no right way and no judgment. But in Howard’s case, he’s not coping at all. “He’s stuck. He’s in a state of permanent stasis and doesn’t know how to get moving again,” producer Bard Dorros says.

Howard’s only consolation seems to be in the letters he writes to Time, to Love and to Death. Says Smith, “It starts out as a catharsis, a way for him to vent his emotions, his anger and disillusionment, which is something everyone can understand.”

But then something wholly unexpected happens.

Opening across the Philippines on January 04, 2017, Collateral Beauty is distributed by Warner Bros. Pictures, a Warner Bros. Entertainment company.

Movies: NORTON, WINSLET, PENA: TRUE FRIENDS CONSPIRE IN “COLLATERAL BEAUTY”

Howard (Will Smith) was a highly successful and dynamic advertising executive, the head of his own company. But when his six-year-old daughter succumbs to a fatal illness, Howard is cast emotionally adrift. Increasingly withdrawn from human contact, the only communication Howard now initiates are the angry, accusatory letters he writes to Love, Time, and Death. But even if Howard has given up on himself…his friends have not given up on him.

Edward Norton, Kate Winslet and Michael Pena join Will Smith as Howard's loyal friends in New Line Cinema's thought-provoking drama, Collateral Beauty.

While Howard built his career and business through the years, it was with the talent and dedication of his closest associates: Whit (Norton), the idea-guy, whose name appears alongside Howard’s on the company masthead; Claire (Winslet), their savvy account director; and Simon (Pena), the agency’s stalwart general counsel. Having grown up together in a sense, from hungry young staffers to full partners, their lives have become intertwined as friends, colleagues and family.

Together they have tried many ways to pull Howard from the abyss, to no avail. Simultaneously, they have struggled to keep the company afloat in his absence. Without his contacts and creative spark, though, accounts have fallen off and prospects run dry to the point where, now, their only option is to sell. There’s an offer on the table…but Howard holds the majority shares and he’s not taking the call.

“It’s implicit, I think, from the first scene, the closeness of their relationship,” says Edward Norton. “You know immediately that these two guys are best friends, and that’s what makes the reveal of what’s befallen them, this fracture, so painful.”

It’s arguably Whit who misses the old Howard most of all, and it’s Whit who comes up with an inspired and unorthodox idea to try to get him to reconnect. “At first Claire thinks it’s a joke,” says Kate Winslet of her character. “She’s used to Whit being kind of crazy, but still, this is never going to work. As soon as she realizes he’s being serious and that they could do this together, I think she believes they can genuinely help Howard.”

The truth is, beyond their heartfelt concern for Howard, each of them has his or her own challenges, which they are not fully understanding or addressing, and which naturally come into play as the story unfolds.

Whit, for example, initially appears as he wants people to see him: confident, creative and charming, without a care in the world and ever hopeful that his next great romance will be the one. “However,” says director David Frankel, “he’s made a lot of mistakes along the way and just can’t believe what’s happened to his life.”

Claire, meanwhile, has been avoiding the truth for a long time. In many respects a classic nurturer – she leaves take-out dinners for Howard night after night, despite his perpetually closed door – Claire has postponed some aspects of her personal life, while pouring all her energy and commitment into the company and her career.

Finally, there’s something going on with Simon, something that could significantly affect his family, and he doesn’t know how to tell them, or even if he should.

“Overall,” says screenwriter Allan Loeb, “we wanted these to be real, flawed characters. Howard isn’t the only one who needs perspective, who needs to be healed through this piece; it’s the three of them also. It becomes their journey and their lesson too.”

Opening across the Philippines on January 8, 2017, Collateral Beauty is distributed by Warner Bros. Pictures, a Warner Bros. Entertainment company.

Movies: FIND YOUR WAY BACK TO LIFE, LOVE WITH “COLLATERAL BEAUTY”

New Line Cinema's upcoming inspirational drama “Collateral Beauty” is about finding your way back to life and love in the wake of unspeakable loss, and about those unexpected moments of hope, meaning and connection – the proverbial silver linings – that light the path through even the darkest times.

“It’s those things we sometimes take for granted or don’t notice all the time, but that might be there every day, like a sunset…or fleeting, like a child’s smile,” says director David Frankel. “There are millions of examples of collateral beauty; they’re unique, and we all have different ideas about what they could be. They’re the reason that we go on, and I think what’s really compelling about this story is that it reminds us to take notice of those brilliant fragments of life that make it worth living.”

Discovering those moments illuminated by every tragic event is an emotional and spiritual journey profoundly personal to each individual, yet something that we all share. Set amidst the warmth, energy and often bittersweet notes of the holiday season in New York City, “Collateral Beauty” tells the life-affirming story of one man’s progress through the landscape of loss and what he ultimately finds – with heart, candor, a thread of humor and the recognition that there will always be some things beyond our understanding.

“The way you see the world, the way your heart opens and the way you relate to people after a tragedy can be very beautiful,” observes screenwriter Allan Loeb, who is also one of the film’s producers. “It can be transformative.”

For Loeb, it began as the germ of a concept that grew to capture his imagination until it could not be denied. “It came together piece by piece over a long period of time as I wrote other movies and worked on other things,” he recounts. “It was a little story in my head that kept nagging at me, about a man who writes letters to abstractions like time, love and death, and why would he do that?”

Howard (played by Will Smith) was a highly successful and dynamic advertising executive, the head of his own company, for whom those words once represented powerful marketing tools. They were great motivators. In an early scene evoking his former passion, he is seen addressing a rapt crowd with the statement: “These three things connect every single human being on Earth. We long for love. We wish we had more time. And we fear death.”

But after his six-year-old daughter succumbs to a fatal illness, casting Howard emotionally adrift, these concepts take on a larger meaning. Increasingly withdrawn from human contact, the only communication Howard now initiates are the angry, accusatory letters he writes to Love, Time, and Death.

“He’s struggling with big, philosophic questions and looking to the universe for answers,” Frankel says. “Like a modern-day King Lear, you might say, he’s howling at the gods.”

Eventually, Howard’s fixation gives his friends an idea to possibly break him out of his endless malaise by somehow allowing him to confront these very concepts. They’ve tried every other means of help from traditional grief counseling to shamanistic rituals, offered comfort and patience, and nothing has worked.

Howard’s friends are also his closest colleagues and long-time business partners: Whit, played by Edward Norton, Claire, played by Kate Winslet, and Simon, played by Michael Peña. Though their concern for him is genuine, their plan has a practical side, too, as Howard’s disconnection from the daily functions has brought the company to the brink of insolvency and they must quickly affect a sale to save it.

Thus one day, while at his usual bench in the dog park, Howard is approached by a self-assured woman smartly dressed in vivid blue, who sits beside him. She holds a letter he recently posted to Death. Taking him completely off-guard, she introduces herself as the recipient of that letter. When Howard recoils, she reminds him that people are forever seeking answers from the universe but not many are granted a direct response. And so it begins…

Opening across the Philippines on January 8, 2017, Collateral Beauty is distributed by Warner Bros. Pictures, a Warner Bros. Entertainment company.

Movies: “COLLATERAL BEAUTY” MAIN TRAILER SETS UP POWERFUL STORY OF LOSS, RECOVERY

Pack the tissues for this one! 

 “Be sure to notice the collateral beauty – it’s the profound connection to everything,” a character implores a depressed father who lost a child in the main trailer of New Line Cinema’s upcoming thought-provoking drama, Collateral Beauty.

            Check out the main trailer at https://youtu.be/Mlksura_ER4 and watch Collateral Beauty when it opens across the Philippines on Jan. 8, 2017.

            When a successful New York advertising executive suffers a great tragedy he retreats from life.  While his concerned friends try desperately to reconnect with him, he seeks answers from the universe by writing letters to Love, Time and Death.  But it’s not until his notes bring unexpected personal responses that he begins to understand how these constants interlock in a life fully lived, and how even the deepest loss can reveal moments of meaning and beauty. 

From Oscar-winning director David Frankel, Collateral Beauty features an all-star cast, including Will Smith, Edward Norton, Keira Knightley, Michael Peña, Naomie Harris, Jacob Latimore with Oscar winners Kate Winslet and Helen Mirren.

            David Frankel (Dear Diary, Marley & Me, The Devil Wears Prada) directs from a screenplay written by Allan Loeb (Wall Street: Money Never Sleeps, 21). 

            The behind-the-scenes creative team included director of photography Maryse Alberti (Creed), production designer Beth Mickle (Whiskey Tango Foxtrot), editor Andrew Marcus (American Ultra) and costume designer Leah Katznelson (How to Be Single).  The music was composed by Theodore Shapiro (Trumbo).  

            Playing over end credits is a special version of the new song “Let’s Hurt Tonight,” performed by platinum-selling Grammy nominees OneRepublic.

Collateral Beauty is distributed by Warner Bros. Pictures, a Warner Bros. Entertainment company.

Movies: NEW “COLLATERAL BEAUTY” POSTER SAYS `WE ARE ALL CONNECTED

I can't help but feel that this is another take on the "Ghost of Christmas Past, Present and Future" but we have "Death" "Love" and "Time" instead. 

New Line Cinema has just rolled out the new international poster for its inspiring and emotional drama “Collateral Beauty” featuring the faces of the star-studded cast and with a reassuring tagline, “We are all connected.”

From Oscar-winning director David Frankel, “Collateral Beauty” is a thought-provoking drama that explores how even the deepest loss can reveal moments of beauty, and how the constants of love, time and death interlock in a life fully lived.

When a successful New York ad executive suffers a personal tragedy and retreats from life, his friends devise a drastic plan to reach him before he loses everything. Pushing him to the very edge, they force him to confront the truth in surprising and profoundly human ways.

“Collateral Beauty” features an all-star cast, including Will Smith, Edward Norton, Keira Knightley, Michael Peña, Naomie Harris, Jacob Latimore with Oscar winners Kate Winslet and Helen Mirren.

David Frankel (“Dear Diary,” “Marley & Me,” “The Devil Wears Prada”) directs from a screenplay written by Allan Loeb (“Wall Street: Money Never Sleeps,” “21”).

Opening across the Philippines on January 8, 2017, “Collateral Beauty” is distributed by Warner Bros. Pictures, a Warner Bros. Entertainment company.

Movies: FIRST “COLLATERAL BEAUTY” TRAILER SUMMONS DEATH, TIME, LOVE

The first trailer of New Line Cinema's inspiring and emotional drama “Collateral Beauty” has just been released and may be viewed at http://youtu.be/I5OrwjiTvww.

From Oscar-winning director David Frankel, “Collateral Beauty” is a thought-provoking drama that explores how even the deepest loss can reveal moments of beauty, and how the constants of love, time and death interlock in a life fully lived.

When a successful New York ad executive suffers a personal tragedy and retreats from life, his friends devise a drastic plan to reach him before he loses everything. Pushing him to the very edge, they force him to confront the truth in surprising and profoundly human ways.

“Collateral Beauty” features an all-star cast, including Will Smith, Edward Norton, Keira Knightley, Michael Peña, Naomie Harris, Jacob Latimore with Oscar winners Kate Winslet and Helen Mirren.

David Frankel (“Dear Diary,” “Marley & Me,” “The Devil Wears Prada”) directs from a screenplay written by Allan Loeb (“Wall Street: Money Never Sleeps,” “21”). The film is produced by Bard Dorros (“Triple 9”), Michael Sugar (Oscar-nominated Best Picture “Spotlight”), Allan Loeb, Anthony Bregman (“Foxcatcher”), and Kevin Frakes (“John Wick”). Serving as executive producers are Toby Emmerich, Richard Brener, Michael Disco, Michael Bederman, Peter Cron, and Bruce Berman.

Frankel’s behind-the-scenes creative team includes director of photography Maryse Alberti (“Creed”), production designer Beth Mickle (“Whiskey Tango Foxtrot”), editor Andrew Marcus (“American Ultra”) and costume designer Leah Katznelson (“How to Be Single”). The music is composed by Theodore Shapiro (“Trumbo”).

New Line Cinema presents, in association with Village Roadshow Pictures, an Anonymous Content/an Overbrook Entertainment Production, a PalmStar Media and Likely Story Production: “Collateral Beauty.” It will be distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company, and in select territories by Village Roadshow Pictures.

Opening across the Philippines on January 8, 2017, “Collateral Beauty” is distributed by Warner Bros. Pictures, a Warner Bros. Entertainment company.

Movies: WILL SMITH ON TARGET AS DEADSHOT IN “SUICIDE SQUAD”

In my non-spoiler movie review, I talk about how Will Smith's Deadshot got a big role in the film, he had a lot of screen time and dialogue. While some may that he got the added screen time because he is a big star, you should know that Deadshot did have a bigger role in "Assault on Arkham" the direct to video animated movie which features the Suicide Squad. So let's not be to quick to rush about things. 

Smith's take on Deadshot is the third that I've seen, counting the one in "Assault on Arkham" and the one in CW's Arrow series and I can say that Will Smith is definitely a refreshing Deadshot. Some of my favorite lines in the film, come from him. I guess it's how he delivers them. "Will Smith Swagger". More Will Smith's Deadshot below! 

You can also read my non-spoiler review for Suicide Squad here. 

Superstar Will Smith leads the Super Villains ensemble as master marksman Deadshot in Warner Bros. Pictures' action adventure “Suicide Squad.”

(Watch “Suicide Squad's” It's Good to Be Bad featurette here at https://youtu.be/H0PAbJPRlcw.)

“I have always loved the superhero genre, and [director-writer] David Ayer wanted to make a truly fun film that put a powerful story into the package, which looked at the difference between being bad and being evil. I thought it was a great opportunity to play a character who, seeing as he’s a father, is very much at odds with what he does for a living but at the same time really, really good at it,” he smiles.

“The Suicide Squad is comprised of all these deadly incarcerated villains,” explains producer Charles Roven. “What would they do, given the chance to reduce their sentences or even gain their freedom, even if it’s likely they won’t survive the mission? And they take that shot—not that they’re given much choice.”

Though seemingly given a “choice,” the prisoners who will become the Suicide Squad will have to learn to work as a team—literally. This is no voluntary gig. Plucked from the notorious Belle Reve Federal Penitentiary, which is designed to hold the “worst of the worst,” Deadshot and fellow inmates Harley Quinn, Killer Croc and Diablo, among others, aren’t exactly given an appealing alternative to playing along. U.S. intelligence officer Amanda Waller, a ruthless, manipulative operative who prides herself on her ability to get people to act against their own self-interest, sees to that.

Like a young daughter he may never see again? Enter Deadshot, whom Waller has quite cleverly managed to toss into Belle Reve with the aid of Gotham City’s most famous crime fighter. As the group’s (and likely the world’s) greatest assassin, he’s quite a prize for the penitentiary. But Waller has a more effective use of his talents on her mind.

“Deadshot has a daughter he loves more than anything, and he wants desperately to be a great father,” reveals Will Smith. “But at the same time he keeps the lights on by being a hitman. He’s deeply conflicted by the paradox of his love for Zoe and the fact that he gets pleasure out of ridding the world of trash.”

It is this internal conflict that Waller manipulates as events unfold, promising Deadshot a chance at paternal redemption—the chance for a normal family life—no matter how unlikely it seems.

As a parent himself, Smith readily understood Deadshot’s desire to be the best father possible, but the assassin’s visceral love of murder was a tougher nut to crack. “I could not get my head around the idea of killing people for money,” says Smith. “But then I read a book called The Anatomy of Motive by John Douglas, who had worked in the FBI profiling unit. One of the first lines in the book is, ‘Why did he do it? Simple, because it felt good.’ That was such an explosive moment of comprehension for me. The question became not why did he do it, but why did it feel good? As an actor, I always hit a wall when I want to know why someone does something versus just accepting the fact that they enjoy it. That book really helped me understand Deadshot’s need for power and dominance and to create a back story of how during his childhood he must have felt really disempowered…how targets remind him of people who were unkind to him in the past.”

Opening across the Philippines in 3D, and in 2D, and in IMAX 3D theaters on Thursday, August 4, “Suicide Squad” is distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company. 

Movie Review: Suicide Squad

Stepping away from their usually dark tones, DC puts up the lights, the music and the jokes in "Suicide Squad". Now before I continue with this non-spoiler review I have to let you know that I did see Batman: Assault on Arkham which is the direct-to-video animated movie that features the Suicide Squad, so I may have different views from other critics about the film. 

Let's continue. I appreciate that David Ayer's "Suicide Squad" took some cues from the animated movie, most especially where they introduce each character. Yup, if you were wondering what was up with the flashing names and criminal history 101 at the first part, they were giving a nod to the animated movie. No qualms here, I was happy that they acknowledged a different material of the characters. 

So we are introduced to the Suicide Squad,  a covert team assembled by Amanda Waller (Viola Davis) in all out bad-ass, conniving, manipulating, 'gangster' mode. Everyone should be scared of her and not Killer Croc. Kudos to the award winning Viola Davis for her tough-as-nails, I go-up-against bad-guys Waller (more on her later).

After the team is assembled they head to their mission (a secret at this point, no spoilers after all). 

A good chunk of the first part of the movie is mostly back tracking to the characters and because it is a team of super villains, this can take some time, which is probably why I felt that the movie took a while to finally come together (about 3/4 into it) but what can you expect, when you have a big cast of relatively unknown bad guys, you want your audiences to connect with them in some way, so you have to show bits and pieces of their past.  

Moving along. A friend of mine, my seat mate at work actually said that Will Smith, being a big superstar will steal the movie, despite it being an ensemble cast. He was right in some ways as Smith who plays Deadshot definitely had a lot of lines and screen time in the film, but what moviegoers may not know is that Deadshot has a lead role in Assault on Arkham so all the spotlight on him in Suicide Squad is understandable, my husband for one, missed the cool Will Smith, and said that it was nice to see him taking on Deadshot with his brand of swagger. 

Too many villains. Not much villainy? 

I read a lot of reviews, criticizing "Suicide Squad" for having so much villains but lacking in villainy, they were mostly unhappy about the main antagonist in the film. But let me give you this, in a film full of villains, who will your antagonist be? For me, the real villain in the film is "gangster" Amanda Waller, who plays the characters like pawns in her game, she manipulates them and controls them with her own vested interests in mind. The scary thing about it, is that on the outside, she's the "good guy" as a high-ranking government official. After all, it was through Waller's efforts that all the trouble starts, in the first place. (Stop. No Spoilers).  

I was just surprised that they were able to keep the antagonist under wraps. I did not see that coming and did not mind the twist in the story. Very different from "Assault on Arkham". That is all that I am saying. My lips are sealed. 

I guess what Suicide Squad was also trying to do was to show these bad guys, in another light. They may be motivated by different goals, greed, money, love and their life choices may not fit within our society but they have some innate good in them, even if they themselves won't admit it. 

  

A little too less Joker? 

Okay- I will have to admit that there was a little too less of Jared Leto's Joker in the film, I definitely would have wanted to see more of that but even in "Assault" The Joker was just a side conflict, never really getting to the main plot. I liked Leto's take on the Joker and would like to see more, in a future Batman movie perhaps? Please? The green hair and his physique was really the Joker of my childhood. So more please. Please. 

A mistake in a song

This one, I will have to agree in, I love the song choices for "Suicide Squad" from the trailers to the original OST and the songs we heard in the movie, there was classic rock care of Queen, and I love "Seven Nation Army" but why, of why did they have to include Norman Greenbaum's "Spirit in the Sky" which coincidentally is also on the "Guardians of the Galaxy" Awesome Mix Vol. 1, which led to some viewers to compare the ensemble cast to each other. While both 'squads' may not be outstanding members of society, you have to remember that "Suicide Squad" was assembled by those in a higher power, coercing, using and threatening them against their will. I think that warrants for a line to be drawn in not comparing the two. 

So despite the negative reviews the film is getting from critics, I still urge you to see it with your own eyes and decide for yourself. It's a bida-kontrabida ala DC and it was fun. I enjoyed it. I may not have been a fan of dramatic El Diablo or dramatic Katana for that matter but it was a 'hell of a ride' once it got off the air. It may have taken some time but it was worth the wait. 

8 out of 10. "Suicide Squad" is an explosion of gun fire and a big unknown weapon wrecking havoc, these guys may not like the job but they will do it any way and in the guns-a-blazing, no care for the consequences way that only they can pull off. Worth seeing in iMAX. 

Suicide Squad is in  theaters tom! 

If I have time, I may come out with a review that has spoilers, but let's see. :)